{"id":1058,"date":"2020-06-11T13:08:06","date_gmt":"2020-06-11T13:08:06","guid":{"rendered":"http:\/\/slowlife.ludwigmuseum.hu\/?p=1058"},"modified":"2021-07-29T10:27:12","modified_gmt":"2021-07-29T10:27:12","slug":"a-lassu-elet-fogalmanak-talan-egyik-leglenyegesebb-resze-az-hogy-az-itt-es-most-ra-figyeljunk-mint-egyfajta-terapias-vagy-meditacios-helyzetben-horvath-gideon","status":"publish","type":"post","link":"https:\/\/slowlife.ludwigmuseum.hu\/en\/talk_slow\/a-lassu-elet-fogalmanak-talan-egyik-leglenyegesebb-resze-az-hogy-az-itt-es-most-ra-figyeljunk-mint-egyfajta-terapias-vagy-meditacios-helyzetben-horvath-gideon\/","title":{"rendered":"\u201dFocusing\u00a0on the\u00a0here and now \u2013\u00a0as in a therapeutic or meditative\u00a0situation \u2013 may be the most vital part of the concept of slow life.\u201d\u00a0\u2013\u00a0An interview with\u00a0artist Gideon\u00a0Horv\u00e1th"},"content":{"rendered":"

Many<\/span><\/b>\u00a0scientists agree that the pandemic gives a new opportunity for huma<\/span><\/b>n<\/span><\/b>kind to lead a slower and more sustainable lifestyle. Do you agree<\/span><\/b>?<\/span><\/b>\u00a0<\/span><\/p>\n

\u00a0<\/span>It ma<\/span>kes sense these\u00a0<\/span>days<\/span>\u00a0to<\/span>\u00a0think<\/span>\u00a0about\u00a0<\/span>what might work differently<\/span>\u00a0<\/span>in\u00a0<\/span>the novel\u00a0<\/span>state after the<\/span>\u00a0<\/span>crisis<\/span>\u00a0\u2013 if\u00a0<\/span>we can<\/span>\u00a0talk about\u00a0<\/span>sharp<\/span>\u00a0boundaries<\/span>\u00a0<\/span>at all. In spite of this, I don\u2019t think it is worth speculating about what returning to the future will be like in a present so hard to\u00a0<\/span>live<\/span>.\u00a0<\/span>Focusing on the\u00a0<\/span>here and now \u2013\u00a0<\/span><\/i>as<\/span>\u00a0<\/span>in a therap<\/span>eutic or meditati<\/span>ve<\/span>\u00a0situation \u2013 may be the most vital part of the concept of slow life.\u00a0<\/span>In order<\/span>\u00a0to return to an eventually accelerating social life one day<\/span>\u00a0and avoid immediately\u00a0<\/span>reviving\u00a0<\/span>our<\/span>\u00a0old habits<\/span>, we need to start to make changes now<\/span>\u00a0both\u00a0<\/span>individual<\/span>ly<\/span>\u00a0and in small communities<\/span>.<\/span>\u00a0<\/span>Of course, we should not confuse this with\u00a0<\/span>th<\/span>is year<\/span>\u2019<\/span>s quarantine<\/span>\u00a0productivity pressure\u00a0<\/span>concerning so many of us, which can also be traced back to the production pressure of the capitalist system.<\/span>\u00a0<\/span>The point\u00a0<\/span>seems to be to pay attention to ourselves, attempt to\u00a0<\/span>silence<\/span>\u00a0our environment (if possible), and think over\u00a0<\/span>what<\/span>\u00a0difference<\/span>\u00a0it makes<\/span>\u00a0<\/span>to\u00a0<\/span>liv<\/span>e<\/span>\u00a0our lives in\u00a0<\/span>isolation<\/span>.<\/span>\u00a0<\/span>This isolated state may\u00a0<\/span>confront<\/span>\u00a0us with questions and emotions\u00a0we\u00a0<\/span>\u00a0<\/span>could\u00a0not deal with in depth before because the noise was too much<\/span>. In my opinion, self-reflection should precede all thoughts on how we\u00a0<\/span>can<\/span>\u00a0build more sustainable systems together\u00a0<\/span>that<\/span>\u00a0enhance stability and openness instead of\u00a0<\/span>promoting\u00a0<\/span>production and growth.<\/span>\u00a0<\/span><\/p>\n

Obligatory\u00a0<\/span><\/b>isolation has changed the way we communicate. This process may have a<\/span><\/b>d<\/span><\/b>va<\/span><\/b>n<\/span><\/b>tages in the long\u00a0<\/span><\/b>run,<\/span><\/b>\u00a0however, it may also lead to the development of bad practices. In one of Asimov\u2019s novels the inhabitants of a planet only communicate with each other through te<\/span><\/b>leconferences (referred to as\u00a0<\/span><\/b>viewin<\/span><\/i><\/b>g in the book), since they find the idea of face-to-face interaction unbearable due to viruses and bacteria (among others). Communication is only one example of major change \u2013 in general, shall we hope for a better or wo<\/span><\/b>rse f<\/span><\/b>u<\/span><\/b>ture?<\/span><\/b>\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

From a certain aspect, it is\u00a0<\/span>a misconception<\/span>\u00a0<\/span>that\u00a0<\/span>our everyday<\/span>\u00a0live<\/span>s have changed radically. It is true though that numerous new rules and official regulations have become part of our lives, together with a continuous sense of fear. Apart from<\/span>\u00a0<\/span>this, I have noticed\u00a0<\/span>that everyone<\/span>, including\u00a0<\/span>myself and my environment<\/span>,<\/span>\u00a0faces the same phenomena and tasks as before, but on more extreme levels.<\/span>\u00a0<\/span>I have<\/span>\u00a0disabled<\/span>\u00a0<\/span>all mobile notifications on my smartphone, and I am trying to create an environment as relaxing as possible and exclude the chaos prevalent online. What matter<\/span>s the most is that we should not let\u00a0<\/span>the online world<\/span>\u00a0take control of our lives<\/span>,\u00a0<\/span>but\u00a0<\/span>it\u00a0<\/span>should always be our individual decision as to whether we are<\/span>\u00a0<\/span>ready to spend time on social media and news sites<\/span>.<\/span>\u00a0<\/span>I don\u2019t think that we would like to communicate through\u00a0<\/span>viewing<\/span><\/i>\u00a0<\/span>after the pandemic. The need for human interaction has truly increased during these past months dominated by all the regulations and isolation. If all is clear, we won<\/span>\u2019<\/span>t be able to get enough of each other\u2019s company.\u00a0<\/span>That might have been the case with Asimov<\/span>, too<\/span>.<\/span>\u00a0<\/span><\/p>\n

Exhibitors of\u00a0<\/span><\/b>Slow Life<\/span><\/i><\/b>\u00a0<\/span><\/i><\/b>\u2013<\/span><\/i>\u00a0Radical Practices of the Everyday<\/span><\/i><\/b>\u00a0examine both social and economic reasons of the climate and ecological crisis and their possible solutions from different viewpoints. Why did you choose this subject matter for your artwork<\/span><\/b>?<\/span><\/b>\u00a0<\/span><\/p>\n

Anna Zilahi and I turned to<\/span>\u00a0new realis<\/span>m<\/span>\u00a0and ecological theories simultaneously during our year at the University of Fine Arts \u2013 among the old institutional frames of the university these concepts seemed so novel. When we realised this<\/span>\u00a0<\/span>and\u00a0<\/span>found out how incomplete<\/span>\u00a0<\/span>th<\/span>is<\/span>\u00a0discourse\u00a0<\/span>in the Budapest art scene was, we founded an artist group called\u00a0<\/span>xtro<\/span><\/i>\u00a0realm,\u00a0<\/span><\/i>which<\/span>\u00a0<\/span>Rita\u00a0<\/span>S\u00fcveges<\/span>\u00a0also joined a bit later on. From the very start, our main aim has been to share transdisciplinary knowledge.<\/span>\u00a0<\/span>Anthropocene<\/span><\/i>\u00a0<\/span>used to be a vague term three years ago that many people used as a\u00a0<\/span>broad<\/span>\u00a0and obscure\u00a0<\/span>signifier<\/span>\u00a0without knowing what it meant. The climate crisis has gained wide publicity since then, and the project we have been building since 2017 has started<\/span>\u00a0to attract a much wider audience, which is great.<\/span>\u00a0<\/span>My<\/span>\u00a0<\/span>work exhibited at the\u00a0<\/span>Slow Life<\/span><\/i>\u00a0<\/span>show dates back to the period when I started to get acquainted with the closely\u00a0<\/span>related<\/span>\u00a0new realist and ecological theories. I was interested in\u00a0<\/span>hyperobjects<\/span><\/i>\u00a0\u2013\u00a0<\/span>a te<\/span>rm coined by Timothy Morton \u2013 that stand for\u00a0<\/span>spatially and temporally dispersed entities that we cannot comprehend as a\u00a0<\/span>whole,<\/span>\u00a0we can only accommodate one detail at a time<\/span>. Examples include global warming, the biosphere, or the stock market as<\/span>\u00a0a whole. I created a photo series using an infrared filter\u00a0<\/span>that<\/span>\u00a0gives\u00a0<\/span>insight into a radiation spectrum invisible to the human eye. We\u00a0<\/span>see<\/span>\u00a0an\u00a0<\/span>all-encompassing layer of\u00a0<\/span>reality<\/span>\u00a0that is a basic part of how the world works, yet we\u00a0<\/span>can<\/span>\u00a0only experience it<\/span>s effects. Healthy flora reflects this radiation during photosynthesis, which results in images where the vegetation appears brighter and\u00a0<\/span>comes to the fore<\/span>. And since I used a long shutter speed, it does so in another temporal dimension. This technology is freque<\/span>ntly used for military or agricultural purposes as well.<\/span>\u00a0<\/span><\/p>\n

How does the current situation explain and situate (or perhaps annul) your selected work for the exhibition? Is there a new project you are working on now?<\/span><\/b>\u00a0<\/span><\/p>\n

My photo series\u00a0<\/span>is\u00a0<\/span>relate<\/span>d<\/span>\u00a0to the current s<\/span>ituation on numerous\u00a0<\/span>levels<\/span>\u00a0however, this is true\u00a0<\/span>of<\/span>\u00a0<\/span>any artwork focusing on ecological issues. I mainly read these days, and although I do have plans for new projects, at this point it is quite hard to imagine the ways in which presenting these works wo<\/span>uld make sense later on. Art certainly has a particularly important role in interpreting the crisis. I am quite pessimistic\u00a0<\/span>about how this critical situation will affect cultural life though, already in the short term. During the past few years, the art s<\/span>cene has been shrinking<\/span>, and the opportunities\u00a0<\/span>and\u00a0<\/span>perspective<\/span>s<\/span>\u00a0of<\/span>\u00a0young artists are constantly decreasing. It is quite certain for example that\u00a0<\/span>many will leave their artistic career<\/span>s<\/span>\u00a0as a result of\u00a0<\/span>the crisis<\/span>,\u00a0<\/span>who<\/span>\u00a0<\/span>could have created and exhibited important bodies of work<\/span>\u00a0in<\/span>\u00a0a more\u00a0<\/span>livable<\/span>\u00a0system<\/span>.<\/span>\u00a0<\/span><\/p>\n

Is there a<\/span><\/b>ny<\/span><\/b>\u00a0topic\/problem\/phenomenon that you encountered during\u00a0<\/span><\/b>the\u00a0<\/span><\/b>quarantine<\/span><\/b>\u00a0and would like to work on in the future?<\/span><\/b>\u00a0<\/span><\/p>\n

I do not think I would address any particular topic related t<\/span>o the pandemic directly, rather loosely related ones. I have also realised that staying in quarantine and slowing down has a beneficial effect on my relationship with specialised literature. Earlier, the jobs I took\u00a0<\/span>in addition to artistic activity<\/span>\u00a0<\/span>didn\u2019t leav<\/span>e much time for reading, but now I\u2019ve lost most of them. And now I\u2019m a little\u00a0<\/span>puzzled<\/span>\u00a0by how ideal the current situation is for\u00a0<\/span>in-<\/span>de<\/span>p<\/span>th<\/span>\u00a0research and artwork<\/span>\u00a0\u2013 I have never\u00a0<\/span>had such suitable conditions in my life<\/span>. Deep down, there is<\/span>\u00a0a shameful feeling lurking inside me<\/span>:<\/span>\u00a0in some ways<\/span>, I do not wish this period to end too fast, since I don\u2019t know whether I will experience a similar one later on. I am afraid of how it\u2019ll feel like to get back on track, and I keep warning mysel<\/span>f to use this period wisely and make the most of it.<\/span>\u00a0<\/span><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Magyar.<\/p>\n","protected":false},"author":6,"featured_media":1060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-1058","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talk_slow"],"yoast_head":"\n\u201dFocusing\u00a0on the\u00a0here and now \u2013\u00a0as in a therapeutic or meditative\u00a0situation \u2013 may be the most vital part of the concept of slow life.\u201d\u00a0\u2013\u00a0An interview with\u00a0artist Gideon\u00a0Horv\u00e1th - SLOW LIFE.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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